Throw Down Your Arms Japanese CD + 3 Bonus Tracks:
http://www.jvcmusic.co.jp/-/Discography/A020083/VICP-63188.html
http://www.jvcmusic.co.jp/-/Discography/A020083/VICP-63188.html
» Sinead O'Connor
lucactus
песни приятные? Есть смысл лить?
песни приятные? Есть смысл лить?
Цитата:
Обложка виниловой версии Throw Down Your Arms
хмм симпатичная дочурка
ну как впечатленияот альбома? я только скачивать собираюсь
kaxa, bredonosec
Цитата:
Еще не слушал - жду официального релиза на СD. Но уверен, Шинед не подкачает.
Цитата:
ну как впечатленияот альбома
Еще не слушал - жду официального релиза на СD. Но уверен, Шинед не подкачает.
Independent interview Sinead O'Connor: Talks exclusively about suicide and redemption
The Guardian: Sinead O'Connor, Throw Down Your Arms
[more=NY Times Review]Sinead O'Connor has caused a lot of fusses since she
emerged in the late 1980's, but the most famous
involved tearing up a picture of Pope John Paul II on
live television in 1992 after singing an unaccompanied
version of the Bob Marley song ''War.'' A new version
of that song appears on ''Throw Down Your Arms,'' and
there is a wider context for it.
Recently she has spoken about wanting to make pop
singing a form of prayer that she can reconcile with
her Roman Catholicism. Reggae music does this for her,
so this new album is a roots-reggae record, produced
for her label by Sly Dunbar and Robbie Shakespeare,
the Jamaican drummer and bassist whose grooves were a
guarantee of the best reggae during the 1970's and
80's.
Sinead O'Connor
''Throw Down Your Arms'' (That's Why There's Chocolate
and Vanilla)
Improbably -- especially because she announced her
retirement from music two years ago -- it's a great
album. It is terse and elegant, with a minimal amount
of horns and extraneous elements; Ms. O'Connor's
undisguised Irish accent and obvious conviction make
it an imposing act of pop interpretation.
Ms. O'Connor didn't choose a reggae 101 playlist. All
these songs are about the Rastafarian faith, and the
album's unstated hero is Winston Rodney, otherwise
known as the singer Burning Spear. Nearly half the
songs, including the title track, are from his back
catalog. They are serious, repetitive chants suffused
with a biblical sense of destiny, and Ms. O'Connor
meets them head-on.
But a song that isn't by Burning Spear could become
the album's classic: ''Curly Locks,'' by Lee Perry, a
Rastafarian's half-righteous, half-pleading request to
a girlfriend that she, and her mother, shouldn't fear
him. Ms. O'Connor remakes the song in a confidential
whisper, fitting it to her specifications; somehow she
makes it both serene and disquieting.
BEN RATLIFF[/more]
emerged in the late 1980's, but the most famous
involved tearing up a picture of Pope John Paul II on
live television in 1992 after singing an unaccompanied
version of the Bob Marley song ''War.'' A new version
of that song appears on ''Throw Down Your Arms,'' and
there is a wider context for it.
Recently she has spoken about wanting to make pop
singing a form of prayer that she can reconcile with
her Roman Catholicism. Reggae music does this for her,
so this new album is a roots-reggae record, produced
for her label by Sly Dunbar and Robbie Shakespeare,
the Jamaican drummer and bassist whose grooves were a
guarantee of the best reggae during the 1970's and
80's.
Sinead O'Connor
''Throw Down Your Arms'' (That's Why There's Chocolate
and Vanilla)
Improbably -- especially because she announced her
retirement from music two years ago -- it's a great
album. It is terse and elegant, with a minimal amount
of horns and extraneous elements; Ms. O'Connor's
undisguised Irish accent and obvious conviction make
it an imposing act of pop interpretation.
Ms. O'Connor didn't choose a reggae 101 playlist. All
these songs are about the Rastafarian faith, and the
album's unstated hero is Winston Rodney, otherwise
known as the singer Burning Spear. Nearly half the
songs, including the title track, are from his back
catalog. They are serious, repetitive chants suffused
with a biblical sense of destiny, and Ms. O'Connor
meets them head-on.
But a song that isn't by Burning Spear could become
the album's classic: ''Curly Locks,'' by Lee Perry, a
Rastafarian's half-righteous, half-pleading request to
a girlfriend that she, and her mother, shouldn't fear
him. Ms. O'Connor remakes the song in a confidential
whisper, fitting it to her specifications; somehow she
makes it both serene and disquieting.
BEN RATLIFF[/more]
То ли первоапрельская шутка, то ли фейк, не знаю. В общем судите сами:
Цитата:
Цитата:
SINEAD O'CONNOR REVEALS TRACK-LIST FOR HER NEW "RUSH-TO-THE-STORES" ALBUM!
Album Title: MARY CONLAUGHN IS A BIG FAT BITCH
Track 1: I DO Want What Mary Hasn't Got
Track 2: You Made Me the Thief of Your Hump
Track 3: Mary Is My Red Football (To be Kicked Around the Garden, Yes Yes)
Track 4: You'll Cause No Sorrow Dead (And Your Dog Won't be Alive)
Track 5: I Bludgeoned Mary with an Axe (And She Moved Through the Fair)
Track 6: The Squealing Room
Track 7: I'll Beat You Later in Somebody's Office
Track 8: Dense Water, Deeper Down (That's Where Mary C. Will Drown)
Track 9: I Have Retched on Your Grave
Track 10 Scorn Not My Duplicity
Track 11 Dagger Through Her Heart
Track 12 My Success Has Made a Failure of Your Home
Also featuring thet"Hidden Track": "Don't Try to Hide in Enya's castle,
Mary, Because I'll Find You and Kill that Bitch, Too."
Интервью на радио Ireland's 2FM: http://www.rte.ie/rams/radio/latest/Mon/rtethedavefanningshow.smil
Свежий обзор нового официального сборника "Massive Attack" "Collected"
[more]13 April 2006
By TOM CARDY
****
From the moment the bass kicks in on opening track Safe from Harm, where the
Bristol-based Massive Attack brilliantly rebuilt jazz drummer Billy Cobham's
Stratus, it's hard to separate awe from nostalgia.
Massive Attack were one of the freshest, most challenging, satisfying and
occasionally infuriating things to come out of popular music in the past 20
years.
And while their last studio album 100th Window was a disappointment - mostly
because it was really a Robert Del Naja solo album - they remain,
deservedly, almost sacred.
Massive Attack have never worked fast, so we have to wait till next year for
a new studio album. But as a summary of the band's best work, this is
near-perfect.
The tracks aren't in chronological or album order, but what's surprising is
that despite Massive Attack becoming a gloomy bunch as they got older, each
track sits well next to each other, almost as if they were destined for
this.
The sparse Middle Eastern-influenced Karmacoma, which when first released
jarred some who loved the more soulful, trip-hop excursions on Safe from
Harm and Unfinished Sympathy, sounds great. So does the dark and delicate
Angel, which has a bass line so heavy you think the CD is about to fall out
the bottom of the stereo.
Also still strong, despite over-familiarity, are hyper ballads Teardrop with
Cocteau Twins' Elizabeth Fraser, Protection with Tracey Thorn and Sly with
the Billie Holiday-sounding Nicolette. Massive Attack always know whose
right for vocal duties.
The more claustrophobic numbers including Inertia Creeps, Butterfly Caught
and Risingson have aged well, sounding in some ways better. And even the
100th Window tracks, including What Your Soul Sings with Sinead O'Connor and
Futureproof, sound better now than three years ago - partly from context,
partly from no longer having as high expectations.
Well, at least not till next year.
I do hope she is working on her own music as we speak (or type). I hope it's
original spirituals, too.a la Gospel Oak. The word about her "Theology"
project was that it was going to be the Biblical Psalms set to her own
arrangements. I don't want to hear that shit. I want some original Sinead
songs, or I will be FORCED to convert to Shakira or God Knows Who.[/more]
[more]13 April 2006
By TOM CARDY
****
From the moment the bass kicks in on opening track Safe from Harm, where the
Bristol-based Massive Attack brilliantly rebuilt jazz drummer Billy Cobham's
Stratus, it's hard to separate awe from nostalgia.
Massive Attack were one of the freshest, most challenging, satisfying and
occasionally infuriating things to come out of popular music in the past 20
years.
And while their last studio album 100th Window was a disappointment - mostly
because it was really a Robert Del Naja solo album - they remain,
deservedly, almost sacred.
Massive Attack have never worked fast, so we have to wait till next year for
a new studio album. But as a summary of the band's best work, this is
near-perfect.
The tracks aren't in chronological or album order, but what's surprising is
that despite Massive Attack becoming a gloomy bunch as they got older, each
track sits well next to each other, almost as if they were destined for
this.
The sparse Middle Eastern-influenced Karmacoma, which when first released
jarred some who loved the more soulful, trip-hop excursions on Safe from
Harm and Unfinished Sympathy, sounds great. So does the dark and delicate
Angel, which has a bass line so heavy you think the CD is about to fall out
the bottom of the stereo.
Also still strong, despite over-familiarity, are hyper ballads Teardrop with
Cocteau Twins' Elizabeth Fraser, Protection with Tracey Thorn and Sly with
the Billie Holiday-sounding Nicolette. Massive Attack always know whose
right for vocal duties.
The more claustrophobic numbers including Inertia Creeps, Butterfly Caught
and Risingson have aged well, sounding in some ways better. And even the
100th Window tracks, including What Your Soul Sings with Sinead O'Connor and
Futureproof, sound better now than three years ago - partly from context,
partly from no longer having as high expectations.
Well, at least not till next year.
I do hope she is working on her own music as we speak (or type). I hope it's
original spirituals, too.a la Gospel Oak. The word about her "Theology"
project was that it was going to be the Biblical Psalms set to her own
arrangements. I don't want to hear that shit. I want some original Sinead
songs, or I will be FORCED to convert to Shakira or God Knows Who.[/more]
Возобновление концертной дятельности:
Sligo Live - Music Festival 2006
http://www.ticketmaster.ie/promo/559
Reggae On The River® Festival
http://www.reggaeontheriver.com/artist.htm
Sligo Live - Music Festival 2006
http://www.ticketmaster.ie/promo/559
Reggae On The River® Festival
http://www.reggaeontheriver.com/artist.htm
Еще о фестивалях:
KCRW's World Festival
Bob Marley: Roots, Rock, Reggae Festival 2006 with Ziggy Marley & Sinead O'Connor
KCRW's World Festival
Bob Marley: Roots, Rock, Reggae Festival 2006 with Ziggy Marley & Sinead O'Connor
I Want Your Hands On Me (Video)
http://www.youtube.com/watch?v=-9s0_xh-Y5A
http://www.youtube.com/watch?v=-9s0_xh-Y5A
Asian Dub Fundation feat. Sinead O'Connor - 1000 Mirrors
http://www.youtube.com/watch?v=zFzh1DMk-LU
http://www.youtube.com/watch?v=zFzh1DMk-LU
Don't Cry For Me Argentina (Live)
http://www.youtube.com/watch?v=q_y-BlVFZzY
http://www.youtube.com/watch?v=q_y-BlVFZzY
Thank You For Hearing Me (Gael Force)
http://www.youtube.com/watch?v=U-QLGocf1N4
http://www.youtube.com/watch?v=U-QLGocf1N4
Sinead in Traffic TV show - Marcus Garvey
http://download.yousendit.com/CCBB8BB813D098CA
http://download.yousendit.com/CCBB8BB813D098CA
Sinead in Traffic TV show - Jah Nuh dead
http://download.yousendit.com/0FFC0202516C7B4A
http://download.yousendit.com/0FFC0202516C7B4A
This Is To Mother You (Live On Letterman)
http://www.youtube.com/watch?v=87gOF8sAABQ
http://www.youtube.com/watch?v=87gOF8sAABQ
Nothing Compares 2 U (Good Quality)
http://www.youtube.com/watch?v=6wXa9iXblBo
http://www.youtube.com/watch?v=6wXa9iXblBo
He Moved Through The Fair (Gael Force)
http://www.youtube.com/watch?v=R1XvY4aolh8
http://www.youtube.com/watch?v=R1XvY4aolh8
Sinead O'Connor feat. Westlife - Silent Night (Live)
http://www.youtube.com/watch?v=HeIso1eoxOg
http://www.youtube.com/watch?v=HeIso1eoxOg
Mandinka
http://www.youtube.com/watch?v=C6tc_SwH8rU
http://www.youtube.com/watch?v=C6tc_SwH8rU
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